流行 (音樂類型)
外观

(重定向自流行 (音乐类型))
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流行乐 Pop music | |
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風格起源 | |
文化起源 | 20世纪50年代中期,![]() ![]() |
衍生形式 | |
類型分支 | |
(流行音乐风格类型列表) | |
融合類型 | |
地區樂壇 | |
其他主題 | |
流行樂(英語:pop music)是流行音乐的一個分支音樂類型[6]。「pop」一開始是「流行音樂」(popular music)的縮寫,也是其同義詞,不過大約在1954年以後逐漸被用來指稱狹義的特定音樂類型[7]。流行樂歌曲特指歌詞內容主要以現代潮流為主,例如敘述愛情或生活等,樂器用現代流行的樂器為主。流行樂也有分支,例如電子流行、合成器流行、流行舞曲、流行搖滾等。
参考文献
[编辑]- ^ Traditional Pop, AllMusic 互联网档案馆的存檔,存档日期2017-10-19.. Retrieved 25 August 2016
- ^ Pop/Rock » Punk/New Wave » New Wave. allmusic.com. [9 December 2021]. (原始内容存档于8 March 2021).
- ^ The 50 Best New Wave Albums. Paste. 13 October 2020 [9 December 2021]. (原始内容存档于1 October 2017).
- ^ Q&A with Theo Cateforis, author of Are We Not New Wave? Modern Pop at the Turn of the 1980s (PDF). University of Michigan. [9 December 2021]. (原始内容存档 (PDF)于25 November 2021).
- ^ Hyperpop or overhyped? The rise of 2020's most maximalist sound. Independent. 27 December 2020 [21 July 2023].
- ^ Frith, Simon (2001). Nobody likes pop, especially me. The Cambridge Companion to Pop and Rock, p.94. ISBN 0-521-55660-0 .
- ^ Online Etymology Dictionary: pop (html). [2007-12-01]. (原始内容存档于2016-03-04).
更多阅读
[编辑]- Adorno, Theodor W., (1942) "On Popular Music", Institute of Social Research.
- Bell, John L., (2000) The Singing Thing: A Case for Congregational Song, GIA Publications, ISBN 1-57999-100-9
- Bindas, Kenneth J., (1992) America's Musical Pulse: Popular Music in Twentieth-Century Society, Praeger.
- Clarke, Donald, (1995) The Rise and Fall of Popular Music[usurped], St Martin's Press.
- Dolfsma, Wilfred, (1999) Valuing Pop Music: Institutions, Values and Economics, Eburon.
- Dolfsma, Wilfred, (2004) Institutional Economics and the Formation of Preferences: The Advent of Pop Music, Edward Elgar Publishing.
- Frith, Simon, Straw, Will, Street, John, eds, (2001), The Cambridge Companion to Pop and Rock, Cambridge University Press,
- Frith, Simon (2004) Popular Music: Critical Concepts in Media and Cultural Studies, Routledge.
- Gillett, Charlie, (1970) The Sound of the City. The Rise of Rock and Roll, Outerbridge & Dienstfrey.
- Hatch, David and Stephen Millward, (1987), From Blues to Rock: an Analytical History of Pop Music, Manchester University Press, ISBN 0-7190-1489-1
- Johnson, Julian, (2002) Who Needs Classical Music?: Cultural Choice and Musical Value, Oxford University Press, ISBN 0-19-514681-6.
- Kent, Jeff, (1983) The Rise and Fall of Rock, Witan Books, ISBN 0-9508981-0-4.
- Lonergan, David F., (2004) Hit Records, 1950–1975, Scarecrow Press, ISBN 0-8108-5129-6.
- Maultsby, Portia K., (7907) Intra- and International Identities in American Popular Music, Trading Culture.
- Middleton, Richard, (1990) Studying Popular Music, Open University Press.
- Negus, Bob, (1999) Music Genres and Corporate Cultures, Routledge, ISBN 0-415-17399-X.
- Pleasants, Henry (1969) Serious Music and All That Jazz, Simon & Schuster.
- Roxon, Lillian, (1969) Rock Encyclopedia, Grosset & Dunlap.
- Shuker, Roy, (2002) Popular Music: The Key Concepts, Routledge, (2nd edn.) ISBN 0-415-28425-2.
- Starr, Larry & Waterman, Christopher, (2002) American Popular Music: From Minstrelsy to MTV, Oxford University Press.
- Watkins, S. Craig, (2005) Hip Hop Matters: Politics, Pop Culture, and the Struggle for the Soul of a Movement, Beacon Press, ISBN 0-8070-0982-2.
外部链接
[编辑]- 音乐消费与价值观表达:流行音乐兴起的社会经济学解释威尔弗雷德·多尔夫斯玛(Wilfred Dolfsma)《美国经济学与社会学刊》1999年10月
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