夏天最后一朵玫瑰

阿德琳娜·帕蒂1906年演唱

播放此文件有问题？请参见媒體幫助。

《夏天最后一朵玫瑰》（英語：The Last Rose of Summer），又译夏日的最后一朵玫瑰等，是爱尔兰诗人托马斯·摩尔创作的一首诗。1805年，诗人在爱尔兰基尔肯尼郡的詹金斯顿城堡（Jenkinstown Castle）中创作了这首诗，并在1813年出版。这首诗可以以爱尔兰传统曲调《年轻人的梦》（Aisling an Óigfhear）演唱^[1]，这个曲调本身则是爱尔兰民歌搜集家爱德华·邦廷1792年在贝尔法斯特竖琴音乐节上记录下来的^[2]。它在后世被贝多芬等音乐家广泛采用^[3]。

文本内容

英语原文^[4]	汉语译文（廬隱译）^[5]
第一节
'Tis the last rose of summer, Left blooming alone; All her lovely companions Are faded and gone; No flower of her kindred, No rose-bud is nigh, To reflect back her blushes Or give sigh for sigh!	那是夏天最后一朵玫瑰，剩下来孤单的开放；她昔日所有可爱的同伴都萎谢了，都已死亡；她身边没有一朵姐妹花，也没有一朵玫瑰蕊来反映着她殷红的羞颜，或来与她同声叹息！
第二节
I'll not leave thee, thou lone one. To pine on the stem; Since the lovely are sleeping, Go, sleep thou with them; Thus kindly I scatter Thy leaves o'er the bed, Where thy mates of the garden Lie scentless and dead.	你这孤独者，我将不让你这样就在枝上憔悴；既然可爱的同类都长睡，你也去，去同她们睡；我便柔软的把你的花瓣分散在花床上，那里你花园的同伴躺卧着，死沉沉，无香气。
第三节
So soon may I follow, When friendships decay, And from love's shining circle The gems drop away! When true hearts lie withered, And fond ones are flown, Oh! who would inhabit This bleak world alone?	当真挚的友谊萎谢了时，当一颗一颗的珍珠从绚烂的爱圈上掉下来，我也会随它们萎枯！当真的心凋残的躺卧时，当亲人走进了坟墓，—— 呵，谁还愿在荒凉世上一个人孤单的居住？

电影

有多部电影作品的灵感来自这首诗，如1912年美国^[6]、1920年英国^[7]的同名默片。它还频繁地出现在其它一些影视作品中，如1939年电影《春闺三凤》中狄安娜·窦萍就演唱了这首诗^[8]。

参考文献

^ Walton's, editors. Ireland - The Songs Book 4. 1993.
^ Edward Bunting, A General Collection of the Ancient Irish Music (1796)
^ Axel Klein: "'All her lovely companions are faded and gone' – How The Last Rose of Summer Became Europe's Favourite Irish Melody" and its appendix, "Utilisations of 'The Last Rose of Summer', respectively 'The Groves of Blarney', by European Composers in the Nineteenth Century, in Chronological Order", in: Sarah McCleave & Brian Caraher (eds.): Thomas Moore and Romantic Inspiration. Poetry, Music, and Politics (London: Routledge, 2018), pp. 128–145 & 231–253; ISBN 9781138281479 (hardback), ISBN 9781315271132 (e-book).
^ Moore, Thomas; Stevenson, John. A Selection of Irish Melodies V. London: J. Power. 1813: 16.
^ 庐隐. 福建思想文化大系庐隐全集卷6. 福建教育出版社. 2015-09: 27–28. ISBN 978-7-5334-6774-6.
^ "The Last Rose of Summer", The Moving Picture World (New York City), 5 October 1912. p. 14. Internet Archive, San Francisco. Retrieved 3 October 2021.
^ Kenton Bamford, Distorted images: British national identity and film in the 1920s (1999), p. 8
^ Three Smart Girls Grow Up. Deanna Durbin Devotees. [9 July 2013]. （原始内容存档于2019-08-12）.

[1] Walton's, editors. Ireland - The Songs Book 4. 1993.

[2] Edward Bunting, A General Collection of the Ancient Irish Music (1796)

[3] Axel Klein: "'All her lovely companions are faded and gone' – How The Last Rose of Summer Became Europe's Favourite Irish Melody" and its appendix, "Utilisations of 'The Last Rose of Summer', respectively 'The Groves of Blarney', by European Composers in the Nineteenth Century, in Chronological Order", in: Sarah McCleave & Brian Caraher (eds.): Thomas Moore and Romantic Inspiration. Poetry, Music, and Politics (London: Routledge, 2018), pp. 128–145 & 231–253; ISBN 9781138281479 (hardback), ISBN 9781315271132 (e-book).

[4] Moore, Thomas; Stevenson, John. A Selection of Irish Melodies V. London: J. Power. 1813: 16.

[5] 庐隐. 福建思想文化大系庐隐全集卷6. 福建教育出版社. 2015-09: 27–28. ISBN 978-7-5334-6774-6.

[6] "The Last Rose of Summer", The Moving Picture World (New York City), 5 October 1912. p. 14. Internet Archive, San Francisco. Retrieved 3 October 2021.

[7] Kenton Bamford, Distorted images: British national identity and film in the 1920s (1999), p. 8

[8] Three Smart Girls Grow Up. Deanna Durbin Devotees. [9 July 2013]. （原始内容存档于2019-08-12）.

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]